Autumn 2021 . exhibition
Left to right: Lesley Raeside, “Whisper”; Jack Greene, “Palaces of Impermanence”; Hope Sandrow, “Portrait of a Chicken as an Egg”; Jack Greene, “Space Toon”
Pasha Radetzki, L-O-V performance, September 2021, Tashmoo Springs Pumping Station
Peat and Repeat’s first live-action exhibition “a micro-biology of circumstance: now what?” took place at the Tashmoo Water Pumping Station on Martha’s Vineyard in September.
A powerful scope of work by fourteen artists that included video, performance, paintings, prints, and drawings. Featured were: Jack Greene’s seminal paintings, such as Palaces of Impermanence from the seventies; premiering Anna Sang Park’s video, Ongjin and Mandy Morrison’s video (and performance), Spooks; Pasha Radetzki’s performance, L-O-V (Love-ego=Lov) from his ongoing project in Brazil, L-O-V Garden as well as drawings and photographs; Paul McGuirk’s work, Pitch (a new print work for Peat and Repeat soon to be featured on the site); Hope Sandrow’s unique print, Portrait of a Chicken as an Egg; Lesley Raeside’s painting, Whisper; Francine Hunter McGivern’s triadic ephemeral works, In Memorium/Holes; Philip Greene’s luscious black and white print Sheet in Wind; Elke Luyten and Kira Alker’s videos, Clown and My Mouth is Full of Sorrow; Elke Luyten’s Untitled print; Keith Donovan’s, Accident II, Matthew Rose’s, Visit Iraq and Caterina Verde’s video, ‘Remote Viewing and Recreational Vehicle”
PDF list of works, press release, download posters at this link:
The original works are available through Peat and Repeat. Please email us on the contact page if you are interested in these works. Or, directly at peatandrepeat20@gmail.com
Curated by Caterina Verde.
Mandy Morrison gives a performative reading of a passage from the book “The Road to Unfreedom'' (by historian Timothy Snyder) in which she keeps only the core phrases, reducing the text to an almost Buddhist reflection as the political assignations are pulled away to another essence. This core text was woven into her video, Spooks in which GIF files inadvertently become an ephemeral means of social bonding.
Left: Anna Sang Park’s video, Ongjin; right: Mandy Morrison’s video, Spooks.
Hope Sandrow, Portrait of a Chicken as an Egg (Candled) September 6 1206pm 2019 Within A Golden Rectangle open-air studio Shinnecock Hills spacetime, Unique Pigment Print on Cotton Rag 11” x 17.75”
Jack Greene, Visionary’s Moment 1977, acrylic on linen, 50" x 60"
Elke Luyten and Kira Alker, Clown, 2021, video, running time: 30 minutes
Left: Elke Luyten, Untitled, 2021, archival print on Hahnemuhle Fine Art Matte Rag, 11 x 17; Right: Matthew Rose, Visit Iraq, 2008/2021, archival print on Hahnemuhle Fine Art Matte Rag, 13 x 19
Left: Caterina Verde, Remote Viewing and Recreational Vehicle, video ; Right (through door) Anna Sang Park, Ongjin, video
Philip Greene, Sheet in Wind, Printed on Hahnemuhle Museum Fine Art Matte Rag with archival ink.13 x 19 inches
link here for closeup.
Lesley Raeside, Whisper, 2020 Water based vinyl paint on board, 8 x 10 inches
Paul McGuirk, Pitch, 2021, archival print on Hahnemuhle Fine Art Matte Rag, 13 x 19 inches
Francine Hunter McGivern, In Memorium/Holes, 2021 Acrylic on cardboard, Each
Francine Hunter McGivern, In Memorium/Holes, 2021 Acrylic on cardboard,
Keith Donovan, Accident 2, 2021, archival print on Hahnemuhle Fine Art Matte Rag, 19 x 19 inches
Pasha Radetzki, Wall of drawings and prints.
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We have kept the prices down on these prints to ensure a wide distribution but we need additional support to continue this practice.
Peat and Repeat continues to reach out to you for contributions through tax-deductible donations which can be made as a monthly contribution or in one fell swoop. Peat and Repeat has a year-end fundraising goal of $10,000.